Ingrid Atterberg – A Short Biography
The early years
Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964. She became one of the foremost Swedish designers of the period.
Prominent Upsala-Ekeby artists from left to right: Ingrid Atterberg, Taisto Kaasinen, Hjordis Oldfors, Mari Simmulson, Viking Göransson and Sven Erik Skawonius.
Experiment and creativity
Ingrid constantly experimented with different glazes and techniques. She found the work process inspiring, and thought failures often gave birth to new ideas. Her austere, bold designs of ornamental pieces and everyday goods led to significant artistic and commercial success. During Ingrid’s time at Upsala-Ekeby, she produced over 100 series.
Left image, Ingrid holding a grand Spiral vase. Right image, a duo of Spiral vases from 1949.
Twirling Spiral series
One of Ingrid Atterberg’s most beloved series was "Spiral" from 1949. Spiral was an earthenware series noted for classic forms and spiral décor in pastel colors. The vases from the series are especially prized, and now found in many Swedish collector’s homes.
Left image, swelling Grafika vase from 1951. Right image, Ingrid during a break.
Modern Grafika series
In 1951, the series "Grafika" was released, with black and white geometric decor on goods with organic forms. The managers at Upsala-Ekeby were not impressed, calling the series "burial accessories". Still, Grafika was hailed by critics and the public alike.
Ingrid carving a grand map-like decor. Right image, Negro vase from 1953.
Negro series and exotic influences
The 1950s fascination with exotic cultures found its way into Ingrid Atterberg’s artistic series. This stylistic interest influenced the form, decor, and naming of the series. Ingrid’s "Negro" series from 1953 was a fine example, produced with manganese clay with striking carved white decor. The series with its raw but sophisticated design is now very sought after among pottery collectors.
Left image, abstract art piece from 1956. Right image, Ingrid during mural painting.
Abstract art
In 1956, Atterberg released three acclaimed series which are best described as pure abstract art. The series were produced in editions of only 50 to 100 copies. These series are among the most prized among Atterberg’s work.
Left image, Ingrid staging Upsala-Ekeby's showroom. Right image, rough chamotte vase from the 1960s.
Rough Chamotte series
Ingrid Atterberg was always ready to experiment with form, material, glazes, and decor. The “Chamotte” series was produced by spreading burned, crushed clay on finished stoneware. The rough surface provided a strong contrast against the ultra-modern decor.
Left image, unique sculpture with people motif. Right image, Ingrid inspecting a unique grand dish.
Unique art
Ingrid's unique pieces for Upsala-Ekeby are among the finest in Swedish artistic ceramics. This distinction is especially apparent in the works that departed from the style of her series. These items are now highly valued in the art market.
Left image, Ingrid, her husband Viking Goransson and their Dalmatian. Right image, unique bowl with abundant crazing from the 1970s.
After Upsala-Ekeby
After Ingrid Atterberg ended her tenure at Upsala-Ekeby, she settled into freelance work for businesses and art production in her own studio. The most remarkable work from this period was her experiments with glazes and cracked clay. Atterberg was able to produce distinctive results and these items are now treasured by collectors.