Berndt Friberg Gustavsberg


Berndt Friberg – Ceramics from Gustavsberg

Berndt Friberg (1899-1981) is one of the most renowned representatives of the illustrious Swedish ceramic design of the 20th century. He is well-known for his perfectionist nature, delicate forms, and magnificent glazes. Berndt worked for the Gustavsberg factory in 1934-1981. He is represented at the Swedish National Museum of Art and Design. Find your favorite among Berndt’s design or learn more about his by reading his biography.







Berndt Friberg – A Short Biography


The early years

Berndt Friberg (1899-1981) was born in the southern Sweden town of Hoganas. He came from a long line of ceramists, in an area steeped in the tradition of finely crafted pottery. Berndt started working at the nearby Hoganas ceramic factory when he was only 13 years old.

Throwers at Höganas ceramic factory


Throwers at Höganas ceramic factory

Vase with oxblood glaze from 1969


Vase with oxblood glaze from 1969


Berndt was fortunate to inherit his grandfather's turntable and to receive training from a talented uncle. He was a quick study, exhibiting innate artistic skill and a strong work ethic. During his 18 years at Hoganas, he became quite an accomplished thrower. In 1934, he was hired by the prestigious Gustavsberg ceramic factory in Stockholm.


Vase with black and blue haresfur glaze


Vase with brown and blue haresfur glaze

Berndt with artistic leader Wilhelm Kage and Stig Lindberg in the late 1930s


Berndt with artistic leader Wilhelm Kage and Stig Lindberg in the late 1930s


Arriving to Gustavsberg

During his first years at Gustavsberg, Berndt Friberg worked as a thrower for the legendary artistic leader, Wilhelm Kage. Berndt's arrival was marked by a significant increase in the quality of Kage's art pieces. Soon enough, he became the undisputed master thrower at Gustavsberg. Through his early career, Friberg wasn't known for his artistic ambition. His artistic debut wouldn't come until the age of 42, when he exhibited in Stockholm with other Gustavsberg artists.

Miniatures in the hand of Berndt


Miniatures in the hand of Berndt

Miniature vases from 1958


Miniature vases from 1958


Perfectionist by heart

Berndt Friberg became known as a perfectionist with an eye for delicate, sensuous forms and magnificent glazes. His works ranged in size, from no higher than a few centimeters to large floor vases. The contours were reminiscent of classic styles, including Chinese stoneware from the Song Dynasty.

Gently quadratic bowl with glossy glaze from 1965


Gently quadratic bowl with glossy glaze from 1965

Berndt presenting a majestic vase in the 1970s


Berndt presenting a majestic vase in the 1970s

Rising success

At the age of 52, Friberg had his first solo exhibition in Gothenburg, which was well-received. Even the Swedish King Gustav VI Adolf became an avid collector of Fribergís work, acquiring more than 100 pieces. The demand for Friberg's work soon eclipsed supply. Every one of his pieces was sold.


Berndt Friberg at the throwing wheel in the 1970s


Berndt Friberg at the throwing wheel in the 1970s

Swelling vase with aniara glaze from 1969


Swelling vase with aniara glaze from 1969


Master of glazes

Berndt Friberg constantly refined his glazes, recording the details in his famous "black book". Early glazes were often matte delicate hare's fur glazes. During the 1960s, the glossy glazes "ox blood" and "aniara" became more dominant. Berndt remained at Gustavsberg until his death in 1981, leaving behind a legacy of brilliant ceramic craftmanship.

 




Berndt Friberg – Signatures


Berndt Friberg's signatures and marks on his unique production could be quite hard to interpret. Between 1939 and 1981, Berndt marked his unique production in four different ways.

Berndt Friberg's signatures 1939-1944


1. Berndt Friberg's unique objects from 1939–1944. Relief stamp with the Gustavsberg anchor and "Ankargods" (Anchor Ware). Stylized incision "BF".

Berndt Friberg's signatures 1944-1947.


2. Berndt Friberg's unique objects from 1944–1947. Relief stamp with the Gustavsberg studio hand and "BF".

Berndt Friberg's signatures 1948-1974


3. Berndt Friberg's unique objects from 1948–1974. Incised signature "Friberg", production year letter mark, and Gustavsberg studio hand.

Berndt Friberg's signatures 1975-1981


4. Berndt Friberg's unique objects from 1975–1981. Incised signature "Friberg", production year, and Gustavsberg studio hand.



During the 1948–1974 period he used the following year marks:



R = 1948

S = 1949

T = 1950

U = 1951

V = 1952

X = 1953

Y = 1954



Z = 1955

Å = 1956

Ä = 1957

Ö = 1958

A = 1959

B = 1960

C = 1961



D = 1962

E = 1963

F = 1964

G = 1965

H = 1966

I = 1967

J = 1968



K = 1969

L = 1970

M = 1971

N = 1972

O = 1973

P = 1974

Q = 1975



That wasn’t so hard, was it?

Friberg’s World of Shapes

The exquisite forms of the unique vases were developed over the many years of his career. In the book ”Berndt Friberg keramiker” (Berndt Friberg, ceramist) from 1964, he brought together the majority of these shapes into ceramic families with unifying features. Here they are!

Berndt Friberg vases forms ceramic family 1

Ceramic family 1

Berndt Friberg vases forms ceramic family 2

Ceramic family 2

Berndt Friberg vases forms ceramic family 3

Ceramic family 3

Berndt Friberg vases forms ceramic family 4

Ceramic family 4

Berndt Friberg vases forms ceramic family 5

Ceramic family 5

Berndt Friberg vases forms ceramic family 6

Ceramic family 6

Berndt Friberg vases forms ceramic family 7

Ceramic family 7

Berndt Friberg vases forms ceramic family 8

Ceramic family 8

Berndt Friberg vases forms ceramic family 9

Ceramic family 9

Berndt Friberg vases forms ceramic family 10

Ceramic family 10

Berndt Friberg vases forms ceramic family 11

Ceramic family 11




Berndt Friberg at the throwing wheel


Berndt Friberg drejar




This video shows Berndt Friberg at the throwing wheel in the Gustavsberg studio. The short sequence is from the movie "Eld, Lera och Människor" (Fire, Clay, and People) in 1942.